A few days before she won The New Paper New Face 2017 at the finals held last month, Jean Yong had already landed her first modelling gig.
But the part-time research assistant at the National University Health System (NUHS) had no idea at the time that it was for the Singapore Fashion Awards (SFA) 2017, which takes place next month.
Jean, 22, told The New Paper: "When I found out on the day of the shoot that I was representing a national campaign, I felt super honoured and thankful to the people who placed their trust in me."
She was selected from a group of models shortlisted by local fashion veteran and producer of SFA 2017 Daniel Boey and his creative team.
According to Boey, who was also the show producer for New Face 2017, they were looking for a Singapore girl who is "fresh-faced, edgy yet approachable".
He said Jean made the cut with her natural talent for modelling, photogenic features and professionalism.
He added: "Jean is one of those rare girls who are born models. She exudes so much X-factor. Her carriage, the drama in her eyes, her natural grace, her strong catwalk, her chameleon-like ability to transform and her demeanour are all her strong points."
The SFA 2017 campaign was shot the same weekend Jean emerged tops at New Face and involved a team that included make-up artist Celestine Sng, winner of the SFA 2016 Outstanding Contribution to Fashion Award (Make-up).
She said: "I was very excited about the whole process and the opportunity to work with and meet so many fashion industry veterans."
The outdoor shoot along East Coast Road also involved a male model from Jean's agency, NOW Model Management.
It was a good learning experience for Jean, who picked up tips from her experienced modelling partner.
Their ensembles were custom-made by local veteran fashion designer Thomas Wee, recipient of the Honorary Award at SFA 2016.
Apart from SFA 2017, she has also been involved in several shoots with Boey and recently went for a casting for Singapore Fashion Week 2017.
As her NUHS job contract will be ending this year, she intends to pursue modelling further.
She said: "I have started out at a good pace and I hope to take on more modelling opportunities and see how far I can go.
"New Face is an excellent platform to be scouted and discovered. It is a stepping stone that I will always be thankful and grateful for."
Tuesday, October 31, 2017
Tuesday, October 24, 2017
Fashion for the global audience
Chandana R Dewan, taking part in the Bangladesh Fashion Week 2017, in London is representing the unique tribal fashion existent in Bangladesh.
The designer reveals that our country has exceptional, indigenous tribal fashion that has not been explored thoroughly. She wants to reveal the distinctiveness; to the global audience with a touch of her own.
"I believe we have many things to showcase; the tribal fashion is just one of them. I hope to do justice to the rare form of styling and bring about our heritage to the world frontier. Bangladesh Fashion Week is definitely a positive approach to appear to the global audience."
The upsurge of Bangladeshi fashion in the global arena
With more people migrating to foreign lands every year, there is a huge population who look for traditional clothing that resonates with local cultures. Many people of Bangladeshi origin prefer to wear saris or other traditional outfits on Eid, Pahela Boishakh, Puja, weddings, birthdays, etc, and it is not possible for them to freight all from their home country. With local brands taking their ready-to-wear fashion abroad, people now have easy, convenient choices.
Local Bangladeshi brands are picking locations strategically to open outlets preferably near localities where people from Southeast Asia mostly reside. Men, women and children can easily try on the latest trends before making a pick. However, in this day and age, the internet has opened the door for brands to trade effortlessly. People are easily able to select their favourites online and get it shipped to their homes. So, the physical outlet no longer plays the major role in some cases.
To focus on this thriving fashion industry of Bangladesh, and to show it true global reach, the British Bangladesh Fashion Council (BBFC) held their annual flagship Bangladesh Fashion Week for the second time on October 7, 2017. The BBFC is a social enterprise and not for profit company set up to deliver training, work experience and networking opportunities, it says. There is a slew of well-known and up and coming designer brands as well as makeup artists participating in the gala, including such as Rina Latif, Chondon, Bibiana, Mayasir, Kuhu's Wearable Art, Sahar Rahman, 1972 Jewellery, Asheka Hossain, Ruji London, and Zurhem. The event is headlined by Kaniz Ali as makeup artist, with the Cactus Agency supporting with their range of talented individuals.
ON 'GOING GLOBAL'
"Global customers are keen about ethnicity and authentic products. Bangladesh has a rich heritage — Muslin, Jamdani, Endi silk, Tribal fabrics, Gamcha, Nakshi, etc.
After years of research and hard work we have now been able to somewhat revive our past glory. The texture and design of our clothes are constantly improving. This is our time- 'the high time'-to showcase our products to the world, to a global clientele.
By going global, we bring our country to the world stage, we showcase our heritage, our artisans, designs and talent — we create global brands and worldwide recognition. Hence it is very important that as designers we work on brand building, exclusive cuts/fits, high quality fabrics and designs. The rest of the world is already way ahead and we must not fall behind.
For local fashion designers, shows and events like these are more than welcoming. In the coming years, this trend needs to continue to place Bangladeshi fashion in the international fashion arena."
TAKING BANGLADESHI FASHION TO NEW HEIGHTS
It goes without saying that in this age of social media there is no alternative to promoting one's own line-up virtually, along with maintaining a brick and mortar existence. While the saying goes that the 'right hash-tag' can get you anywhere, designers catering to niche markets do need to showcase their works in a broader style.
While some have the good fortune of being extremely lucky from the start, the rest have to depend on their networking and determination to flourish. Fashion shows can only work as a step towards success, the rest boils down to the individual's capacity to grow and accommodate.
Bangladeshi fashion designers are upping the ante with local clothing line ups with enticing designs. But that's the local side of the story. The designers need to incorporate fusion wear to make these appealing to the western eye as well.
In this particular case of globalising Bangladeshi fashion, learning from the 'now-famous' is not necessarily the only process. Fashion designers need to embrace the runaway as an art form in terms of styling, crafting and storytelling.
The local fabric designs are very appealing worldwide, yet as unfortunate as it is, Bangladeshi or South Asian fashion is not very global in essence. The fashion world of now requires everything to be as globalised as possible and then some more.
Starting from the designers to the fashion journalists and right down to the promoters — to take Bangladeshi Fashion to new heights on the global platform, there is no space to see these as separate entities any more.
The designer reveals that our country has exceptional, indigenous tribal fashion that has not been explored thoroughly. She wants to reveal the distinctiveness; to the global audience with a touch of her own.
"I believe we have many things to showcase; the tribal fashion is just one of them. I hope to do justice to the rare form of styling and bring about our heritage to the world frontier. Bangladesh Fashion Week is definitely a positive approach to appear to the global audience."
The upsurge of Bangladeshi fashion in the global arena
With more people migrating to foreign lands every year, there is a huge population who look for traditional clothing that resonates with local cultures. Many people of Bangladeshi origin prefer to wear saris or other traditional outfits on Eid, Pahela Boishakh, Puja, weddings, birthdays, etc, and it is not possible for them to freight all from their home country. With local brands taking their ready-to-wear fashion abroad, people now have easy, convenient choices.
Local Bangladeshi brands are picking locations strategically to open outlets preferably near localities where people from Southeast Asia mostly reside. Men, women and children can easily try on the latest trends before making a pick. However, in this day and age, the internet has opened the door for brands to trade effortlessly. People are easily able to select their favourites online and get it shipped to their homes. So, the physical outlet no longer plays the major role in some cases.
To focus on this thriving fashion industry of Bangladesh, and to show it true global reach, the British Bangladesh Fashion Council (BBFC) held their annual flagship Bangladesh Fashion Week for the second time on October 7, 2017. The BBFC is a social enterprise and not for profit company set up to deliver training, work experience and networking opportunities, it says. There is a slew of well-known and up and coming designer brands as well as makeup artists participating in the gala, including such as Rina Latif, Chondon, Bibiana, Mayasir, Kuhu's Wearable Art, Sahar Rahman, 1972 Jewellery, Asheka Hossain, Ruji London, and Zurhem. The event is headlined by Kaniz Ali as makeup artist, with the Cactus Agency supporting with their range of talented individuals.
ON 'GOING GLOBAL'
"Global customers are keen about ethnicity and authentic products. Bangladesh has a rich heritage — Muslin, Jamdani, Endi silk, Tribal fabrics, Gamcha, Nakshi, etc.
After years of research and hard work we have now been able to somewhat revive our past glory. The texture and design of our clothes are constantly improving. This is our time- 'the high time'-to showcase our products to the world, to a global clientele.
By going global, we bring our country to the world stage, we showcase our heritage, our artisans, designs and talent — we create global brands and worldwide recognition. Hence it is very important that as designers we work on brand building, exclusive cuts/fits, high quality fabrics and designs. The rest of the world is already way ahead and we must not fall behind.
For local fashion designers, shows and events like these are more than welcoming. In the coming years, this trend needs to continue to place Bangladeshi fashion in the international fashion arena."
TAKING BANGLADESHI FASHION TO NEW HEIGHTS
It goes without saying that in this age of social media there is no alternative to promoting one's own line-up virtually, along with maintaining a brick and mortar existence. While the saying goes that the 'right hash-tag' can get you anywhere, designers catering to niche markets do need to showcase their works in a broader style.
While some have the good fortune of being extremely lucky from the start, the rest have to depend on their networking and determination to flourish. Fashion shows can only work as a step towards success, the rest boils down to the individual's capacity to grow and accommodate.
Bangladeshi fashion designers are upping the ante with local clothing line ups with enticing designs. But that's the local side of the story. The designers need to incorporate fusion wear to make these appealing to the western eye as well.
In this particular case of globalising Bangladeshi fashion, learning from the 'now-famous' is not necessarily the only process. Fashion designers need to embrace the runaway as an art form in terms of styling, crafting and storytelling.
The local fabric designs are very appealing worldwide, yet as unfortunate as it is, Bangladeshi or South Asian fashion is not very global in essence. The fashion world of now requires everything to be as globalised as possible and then some more.
Starting from the designers to the fashion journalists and right down to the promoters — to take Bangladeshi Fashion to new heights on the global platform, there is no space to see these as separate entities any more.
Tuesday, October 17, 2017
Dolly Parton and Her Husband Have Big Plans For Their 50th Wedding Anniversary
Before Dolly Parton was world famous Dolly Parton, she was 18-years old and washing clothes at the Wishy Washy Laundromat in Nashville when she met Carl Dean in 1964. Two years later, they married in Georgia in a tiny ceremony, with the singer's mother as witness. They've now been married for 50 years.
Dolly and Carl, who remained intensely private while his wife rose to stardom, will celebrate their 50th wedding anniversary on May 30, and will be renewing their vows.
"We're going to get married again!" Dolly tells People. "I'll have a beautiful wedding dress, 'cause I didn't have a big, long wedding dress when we got married and we've got a suit for him, so we're going to dress up and take a bunch of pictures."
The singer describes her love, who runs an asphalt business, as a "loner," who has rarely been seen in public with her.
"He doesn't particularly care about being around anybody but me. He's just always asked me to leave him out of all this. He does not like all the hullabaloo," she says.
But, she adds, "he's always been supportive. He's like a brother and a father and a friend and a husband and a lover–all of those things to me. I think he's kind of proud that we've been in it this long!"
The country music legend, who turned 70 in January, can't believe how long she's been around and says she doesn't feel old at all and is still celebrating with friends.
"In my mind I think I'm the same age I was when I came to Nashville," she says. "I had a bunch of girlfriends over and we had Mexican food and margaritas and laughed our asses off and drank and forgot we were 70!"
Dolly is also releasing her autobiographical movie Coat of Many Colors on DVD this week.
Dolly and Carl, who remained intensely private while his wife rose to stardom, will celebrate their 50th wedding anniversary on May 30, and will be renewing their vows.
"We're going to get married again!" Dolly tells People. "I'll have a beautiful wedding dress, 'cause I didn't have a big, long wedding dress when we got married and we've got a suit for him, so we're going to dress up and take a bunch of pictures."
The singer describes her love, who runs an asphalt business, as a "loner," who has rarely been seen in public with her.
"He doesn't particularly care about being around anybody but me. He's just always asked me to leave him out of all this. He does not like all the hullabaloo," she says.
But, she adds, "he's always been supportive. He's like a brother and a father and a friend and a husband and a lover–all of those things to me. I think he's kind of proud that we've been in it this long!"
The country music legend, who turned 70 in January, can't believe how long she's been around and says she doesn't feel old at all and is still celebrating with friends.
"In my mind I think I'm the same age I was when I came to Nashville," she says. "I had a bunch of girlfriends over and we had Mexican food and margaritas and laughed our asses off and drank and forgot we were 70!"
Dolly is also releasing her autobiographical movie Coat of Many Colors on DVD this week.
Tuesday, October 10, 2017
LVMH sales leap 12% as luxury goods remain in fashion
LVMH kicked off the earnings season for the luxury goods sector by beating analyst consensus and recording €10.4bn of revenues in the third quarter of this year.
The world’s biggest luxury group by revenues said on Monday after market close that revenues grew 12 per cent year on year in the third quarter, to €10.4bn, after stripping out the impact of currencies and acquisitions. This growth continues the trend from earlier in the year and surpassed analyst estimates of €10.2bn.
All of the divisions experienced double digit growth with the exception of wines and spirits, which increased revenues 4 per cent in the third quarter as the business was held back by supply constraints.
Organic growth was led by perfume and cosmetics, which increased 17 per cent, while the watches and jewelery, and selective retailing divisions each grew revenues 14 per cent year-on-year on an organic basis. Fashion and leather goods increased revenues 13 per cent.
Overall during the first nine months of the year LVMH grew revenues 12 per cent to €30.1bn, stripping out the impact of currencies and acquisitions. On a reported basis, the strengthening euro drove a negative currency impact of 5 per cent while the acquisition of Christian Dior Couture, which was finalized in July, drove a positive impact of 7 per cent.
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